Collage
Collage has been the constant. From the first pieces made at the Cleveland Institute of Art in 1974 — built from prism paper, holographic surfaces, found material — to the work being made now, the logic has stayed the same: anything can be a mark. Paper, fabric, compact discs, printed ephemera, fragments of photographs, cord, type. Rauschenberg gave permission early: combines built from whatever was at hand. That permission never left. These 638 works trace five decades of that practice. Browse with filters →





























































































































































































































































































































































































































































































































































































































































